{"id":1042,"date":"2024-12-18T11:10:18","date_gmt":"2024-12-18T10:10:18","guid":{"rendered":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/?page_id=1042"},"modified":"2024-12-19T11:08:31","modified_gmt":"2024-12-19T10:08:31","slug":"2-2024","status":"publish","type":"page","link":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/2-2024\/","title":{"rendered":"Ultracorpi 2 \/ 2024"},"content":{"rendered":"\n<p class=\"has-text-align-right\"><strong>ISSN 2975-2604<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"243\" src=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1024x243.png\" alt=\"\" class=\"wp-image-593\" srcset=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1024x243.png 1024w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-300x71.png 300w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-150x36.png 150w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-768x182.png 768w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1536x364.png 1536w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8.png 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Fascicolo completo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1kXY4hJnbrzlD8ymh7aoUbJrzRtusjMxp\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Introduzione<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Denis Lotti<\/em>. Il diavolo, certamente<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1mbwD2HqyksHs5VR9ikFwhD9wddzeCLYT\/view?usp=sharing\" style=\"border-radius:0px\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Fantastico Federico<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Diego Tomasi. <\/em>\u201cIl cinema \u00e8 la mia vita\u201d. Fellini e la realt\u00e0 fantastica dei sogni<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1o22b8VXcUFDPWmyzc3DZ89Hj3XdMg7Ov\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Lucia Rita Vitali. <\/em>Federico Fellini e il rapporto con la pubblicit\u00e0 nei raccontini pubblicitari del <em>Marc\u2019Aurelio<\/em> (1939)<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1lBx0RqMv01plrLK6bHWHWobI3c1_ewq7\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Miriam Petrini.<\/em> Federico Fellini e l\u2019origine della fantasia: dal fumetto alla radio, immagini e voci che prendono vita<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1XF9lQkSOa29n1kJSocVBHOCFGc3CnxCF\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Emanuele Antolini<\/em>. Deposito di incubi. Note sugli spot pubblicitari della Banca di Roma<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1C7kt_Dp9f8rN600fSAMF9dmh_ORwTdQp\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Enrico Gheller<\/em>. <em>Toby Dammit<\/em>. Un incubo a Cinecitt\u00e0<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/10B-B1SgqKJO8ouawCCR4i26v9oqjRnDF\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Nicola Bassano<\/em>. Intervista a Terence Stamp<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1ZOqVlwyg3xAx4kqG1I3TpGlJ69AtOQw2\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Emanuele Antolini<\/em>. Un nosocomio a Cinecitt\u00e0. Intervista a Gianfranco Angelucci<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1vNfmtNih4xqoPEXEXIq-GoXOAhCNcxFP\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">The Exorcist<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Marianna Lucia di Lucia<\/em>. \u201c<em>Demons are a girl\u2019s best friend<\/em>\u201d? Femminilit\u00e0 in rivolta e oppressione patriarcale in <em>The Exorcist<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/13CCW7NYCyM0OwqHDbl0Dx0bZ0IovmaWE\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Davide Persico<\/em>. L\u2019Edipo e l\u2019organizzazione fallica. Le forme del desiderio e della sessualit\u00e0 in <em>The Exorcist<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1MU7_u64TkFkBfLuiCMVW1zW5y9Hvqw3Q\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Steven Stergar<\/em>. <em>The Exorcist<\/em>. Mitopoiesi di un fenomeno storico-culturale<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1K2Li_MPN2L7WGd3k_RCYtA-QTGo_wBLw\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Leonardo Gandini<\/em>. Cinque legami tra <em>The Exorcist<\/em> e la sua epoca<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1U6DH3Ohu-9WqPe-pkWrP3nOQPICZxnNR\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Altri mondi, altri dei<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Paolo Bertetti<\/em>. Presentazione. L\u2019uomo, la (fanta)scienza, il divino<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1M8aSfxYjQnaaSp-0M3i1SoTuhU1k7TfN\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Paolo Bertetti<\/em>. Come diventare cavalieri Jedi. La religione iperreale di <em>Star Wars<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/12x-Sq0LHvTIzIGJ7BFP0h8rCvok_WCZZ\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Francesco Galofaro. La voce del padrone<\/em>. Le scienze alle prese con l\u2019enigma divino<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1MBsbd-PYvvE_DAg4k9PqyZsaivpioj05\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Antonio Santangelo<\/em>. La ricerca del senso in <em>Dune<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/193ceCyZ20KLi_kPynUhaB8z3xMRvsE_T\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Silvio Alovisio<\/em> e <em>Bruno Surace<\/em>. Dio \u00e8 il limite? Religioni aliene nella fantascienza: appunti e riflessioni sul caso <em>Star Trek<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1mqg_Ev424D9Aj5Kj-HHdKDW1z7Osmv6a\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Magdalena Maria Kubas<\/em>. Da una Cosmopoli toscana a <em>Cosmopolis <\/em>(NY): distopia e religione tra il XVIII e il XXI secolo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1LxG7k_Nj11g1pif9a6uyyfQCxnHlH4Mr\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Miscellanea<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Stefano Settimi<\/em>. Le lingue inventate nelle opere di finzione: il caso <em>Game of Thrones<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1f4-ryqNKdtwYKkQzwOTp2pgZZ8J3JOg2\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">La Grotta di Prospero<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Antologia di studi dedicati al fantastico nelle arti dello spettacolo<\/h3>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Antonio Costa<\/em>. Il fantastico, anzi.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1M_CVhHbhAA-UjJ_pYYB9Hl1iJO3Dz1ve\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Mappe della FantaItalia<\/h3>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Laura Cesaro<\/em>. Festival internazionale del film di fantascienza di Trieste: una traccia<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1qonZC3nkHElGSOqQc-Q9ubzymD_0OOXO\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Marco De Bartolomeo<\/em>. Politiche della visibilit\u00e0. Intervista a Marina Resta, direttrice del \u201cWorking Title Film Festival\u201d di Vicenza<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1-mnsWeTuN1ILqYPB7ryPIGd4sTU8CwDV\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Steven Stergar<\/em>. \u201cFiPiLi Horror Festival\u201d: tredici anni di paura a Livorno. Intervista ad Alessio Porquier<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1CHvofwjDAuCgVyk4WtmUXjMxipg091PA\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Elisa Uffreduzzi<\/em>. Raggi cosmici e musica atonale: l\u2019arte cyborg, panacea di tutti i mali al &#8220;Festival dei Popoli&#8221; di Firenze.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1n0Pjwi31PCQwFh_qQZ-JPgpFZ-um-78K\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Marco De Bartolomeo<\/em>. Torino e il \u201cTOHorror Fantastic Film Fest\u201d. Verso un\u2019etica dell\u2019incontro. Intervista a Massimiliano Supporta<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1O6d4FFv0_8Ufsa9izHasAJSAKbDHnHOP\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Ernesto Kieffer<\/em>. \u201cL\u2019invenzione degli ultracorpi\u201d: la quinta edizione dell\u2019Extra Sci-fi Festival di Verona \u00e8 servita. Intervista a Emanuele Del Medico<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1oPwKjkK7yyH3ywRXrDAe9YonlUN5bTmc\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Note di Calibano<\/h3>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Paolo Caneppele, G\u00fcnter Krenn<\/em>. <em>Der moderne Tantalus<\/em>. Note sulla filmografia di Robert Wiene<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1jSYaz1EUAnRo0oE2V71FhE1IT0YDzPSu\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Marianna Lucia di Lucia<\/em>. L\u2019horror secondo Pier Maria Bocchi: geografia affettiva e archeologia della storia di un genere in <em>So cosa hai fatto. Scenari, pratiche e sentimenti dell\u2019horror moderno<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1VpJOshQ0DZErfAory0sVQMr2TbVzMqVy\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Leonardo Magnante. Talk to Me<\/em> o della morte come assenza di significato<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1HLxXVfnOvs3YqhSidRvg737AkTht1s_B\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Thomas Dunoyer de Segonzac<\/em>. \u201cSurr\u00e9alisme\u201d au Centre Pompidou: l\u2019exposition g\u00e9ante et les papillons underground<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1UVWvXZdIizgbyhpd3f_M3u5LCiL7_XGI\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Biografie e indice dei revisori<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Biografie<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1xfpLorF-qVgldOd-zQPON0321Wwq8UBI\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Indice dei revisori<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/19_A2aPY4C5eGhrCuFm7f4XF7xA4camVE\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n","protected":false},"excerpt":{"rendered":"<p>ISSN 2975-2604 Fascicolo completo Introduzione Denis Lotti. Il diavolo, certamente Fantastico Federico Diego Tomasi. \u201cIl cinema \u00e8 la mia vita\u201d.<\/p>\n<p><a href=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/2-2024\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">Ultracorpi 2 \/ 2024<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":538,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1042"}],"collection":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/comments?post=1042"}],"version-history":[{"count":8,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1042\/revisions"}],"predecessor-version":[{"id":1057,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1042\/revisions\/1057"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/media\/538"}],"wp:attachment":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/media?parent=1042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}