{"id":1117,"date":"2025-07-30T12:00:00","date_gmt":"2025-07-30T10:00:00","guid":{"rendered":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/?page_id=1117"},"modified":"2025-07-30T14:55:54","modified_gmt":"2025-07-30T12:55:54","slug":"3-2025","status":"publish","type":"page","link":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/3-2025\/","title":{"rendered":"Ultracorpi 3 \/ 2025"},"content":{"rendered":"\n<p class=\"has-text-align-right\"><strong>ISSN 2975-2604<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"243\" src=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1024x243.png\" alt=\"\" class=\"wp-image-593\" srcset=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1024x243.png 1024w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-300x71.png 300w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-150x36.png 150w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-768x182.png 768w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1536x364.png 1536w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8.png 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Fascicolo completo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1JMh8KURhIHSsk9YsuXY68ucP3YxE7kXs\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Introduzione<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Denis Lotti<\/em>. Insoliti ignoti. Riflessi (doppi) sullo schermo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1W9DMcUWJF3gbNx-6VoFSyT0msdAqFJWS\/view?usp=drive_link\" style=\"border-radius:0px\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Dossier<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Andrea Campalto, Claudio Gallo. <\/em>L\u2019uomo nero (e noi). Cercando le ragioni della popolarit\u00e0 di Diabolik tra fumetto e cinema<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1ZXP8jY5AEawJNeSyu6peDigLgmPi7dMb\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Roberto Curti, Alessio Di Rocco<\/em>.<em> <\/em>Il Diabolik dimenticato. Genesi, vicissitudini e prematura fine di <em>Diabolik <\/em>(1965) di Seth Holt<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1XNb9PKt9KFOLVq-PM8d43PCbYV4kbYZD\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Alberto Pezzotta<\/em>. <em>Diabolik <\/em>di Mario Bava. Un eroe del neocapitalismo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1z7s2C2__PZwAKxPGpcIApd-XUXY4tGVW\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Enrico Gheller<\/em>. L\u2019ombra di Diabolik attraversa le Alpi. Scambi culturali e traiettorie di ricezione tra Francia e Italia<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1mfJnrY4iwHCV0-wvxBPLcEzkcnO6TXXh\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Giulia Muggeo<\/em>. Diabolik e i suoi cugini. Emuli e parodie del ladro mascherato nel sistema dei media degli anni Sessanta<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1nrqOvUBbGwjfLHrA5mgpWAD1pmp1ijcs\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Andrea Pergolari<\/em>. La stirpe di Diabolik. Come le K invasero il cinema italiano degli anni Sessanta<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1c7GHvnSejPZS9AMkkrqmjnmeGJ4V-ADc\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Michael Guarneri<\/em>. Wurdalak versus Satanik. I vurdalak in Italia tra letteratura, cinema e fumetto giallo-nero<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1ZvSm9xPrdykY9yJWlVRlDZbzAzaASGn-\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Gabriele Landrini<\/em>. Il giustiziere e il criminale. Gli uomini mascherati del fotoromanzo nero<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/17hAvyMP8JEPxHu5k1G51OQ9eCSdssz0s\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Denis Lotti<\/em>. Eros e Thanatos a Istanbul. Note sulla trilogia di <em>Kilink <\/em>(1967) di Y\u0131lmaz Atadeniz<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1ZySN8kcse597P0-55uXZO-mZ-84SAKLL\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Anja Boato<\/em>. <em>Diabolik \u2013 Track of the Panther<\/em>. Antieroi integerrimi nella TV per ragazzi<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1qgaW7RSocCBbGSCJm9xB3nnMoJ7gdyw0\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Rocco Moccagatta<\/em>. Diabolik, chi sei (stato)? Un uomo (in) nero per due sorelle e due fratelli<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/16PSEQcQtkaAFuYYg7EC8HLmXecEAiZX6\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Marco De Bartolomeo<\/em>. Caccia, crimine e conoscenza. Diabolik e la trilogia dei Manetti Bros.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1lp_si7fET-jqGo3R1nAqKOupILRN5j0v\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Silvia Vacirca<\/em>. Visioni glamour di violenza: lo stile di Eva Kant<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1fE7BmAOjHUP6D4Ktst_wIBcqIBLWBPPC\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Rocco Moccagatta, Federico Pagello<\/em>. <em>Diabolik <\/em>\u00e8 Eva Kant. Conversazione con i Manetti Bros.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/17RJC0HZVAwlhb2wMsOu0l1Q699WPr3AE\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Roberto Guarino, Matteo Pollone<\/em>. Nero personale. Intervista a Giuseppe Palumbo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1MCwlh29KP_Ugqvw9vtk3NYMkgOQj_AuZ\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Roberto Guarino, Matteo Pollone. Il custode del terrore. Sessant\u2019anni di <em>Diabolik <\/em>secondo Mario Gomboli<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/16GO_7zqTBEKdxfRQbLupa_VxOuMuTbw5\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Luciano Curreri,<\/em> Le 2 K di Diabolik + Diabolik &#8211; Allo specchio, <em>di Mario Gomboli (sceneggiatura) e Giuseppe Palumbo (disegni)<\/em> (Diabolik\u00a9Astorina Srl)<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1QVWlaav9C4li5CQ7bHm-biawk22u9PtT\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Biografie<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1myvYt-ttRuNI8eUpOBsBKlgrFVhLpb-K\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ISSN 2975-2604 Fascicolo completo Introduzione Denis Lotti. Insoliti ignoti. Riflessi (doppi) sullo schermo Dossier Andrea Campalto, Claudio Gallo. L\u2019uomo nero<\/p>\n<p><a href=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/3-2025\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">Ultracorpi 3 \/ 2025<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":538,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1117"}],"collection":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/comments?post=1117"}],"version-history":[{"count":3,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1117\/revisions"}],"predecessor-version":[{"id":1127,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1117\/revisions\/1127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/media\/538"}],"wp:attachment":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/media?parent=1117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}