{"id":1132,"date":"2025-12-29T11:51:53","date_gmt":"2025-12-29T10:51:53","guid":{"rendered":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/?page_id=1132"},"modified":"2025-12-29T11:55:11","modified_gmt":"2025-12-29T10:55:11","slug":"4-2025","status":"publish","type":"page","link":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/the-journal-def\/4-2025\/","title":{"rendered":"Ultracorpi 4 \/ 2025"},"content":{"rendered":"\n<p class=\"has-text-align-right\"><strong>ISSN 2975-2604<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"243\" src=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1024x243.png\" alt=\"\" class=\"wp-image-593\" srcset=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1024x243.png 1024w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-300x71.png 300w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-150x36.png 150w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-768x182.png 768w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1536x364.png 1536w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8.png 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Fascicolo completo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1PYetyRSi0P0nCBhVr6VkGwrH4HC22Jgf\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Introduzione<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Denis Lotti<\/em>. Ready Player Four: il fantastico entra in gioco<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1DFpNuKA8ezl__-wCE5jQSS519twOBcF_\/view?usp=drive_link\" style=\"border-radius:0px\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Start a new game<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Marco De Bartolomeo, Stefano Tropiano<\/em>. Questo \u00e8 un gioco? Presentazione del dossier Start a New Game<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1tsAIBGH774FA7Y0YWqoqYi01AqpmezFM\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Ivan Paduano<\/em>. La simulazione come addestramento. Interfacce e sistemi di ricompensa nell\u2019apparato ideologico dei <em>management games<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/14DLy0l99uSas0SxIDAA2Ux7joka3TlTI\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Gabriele Luca<\/em>. Affermazione del s\u00e9 e strategie di potere nelle avventure grafiche di David Cage. <em>Heavy Rain, Beyond: Two Souls, Detroit: Become Human<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1hGotEvB2YY10peEBCDTeo4BRyqDZ72OC\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Luca Cialfi<\/em>. \u201cQuesta non \u00e8 altro che una guerra per il controllo del futuro.\u201d Scontri e incontri tra cinema e videogiochi, due casi studio<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1AZYbbtGcVUr7vAwNVvi6pp8wnsC0tnKM\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Gianmarco Thierry Giuliana, Bruno Surace<\/em>. Realt\u00e0 parallele. Un esperimento di rassegna videoludico-filmica al cinema<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1RR7EWfDHXxYdUGltIeXao6VdRz5uj08X\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Beatrice Varallo<\/em>. Hideo Kojima: autore di videogiochi, connettore di mondi<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1ojp6io2NlGxxhDzLMIqfAO8K_DZp08NX\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Tommaso Ariemma, Paolo Bertetti<\/em>. Resistenza e immaginazione tra cinema e videogames<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1acwk5ttb0dojkpZZKl7-ahLylmGxZ1Hg\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Miscellanea<\/h2>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Gianluca Tana<\/em>. La ricostituzione del focolare. Rappresentazione di genere e sviluppo dei personaggi in <em>The Last of Us<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1fnDN2sylxL40VRldI5cAs99-Lne3wUnE\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Luca Giardino<\/em>. La spettacolarit\u00e0 dell\u2019artificio. Riconfigurazioni della logica attrazionale nel cinema di Tod Browning degli anni Venti<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/121ke5gFg_isWxBQ3WNzYYbIca1xbtp2g\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">La grotta di Prospero<\/h2>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Antologia di studi dedicati al fantastico nelle arti dello spettacolo<\/h3>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Elena Dagrada<\/em>. Between the Earth and the Moon. Georges M\u00e9li\u00e8s and the Anthropomorphisation of Celestial Bodies<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1mWnNFK1VJNT2EahcT39r6RV0YNGqFWtp\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Mappe della FantaItalia<\/h3>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Leonardo Magnante, Steven Stergar<\/em>. Il fantastico oltre i confini della realt\u00e0 (urbana). Incontro ravvicinato con il MUFANT \u2013 Museo del fantastico e della fantascienza<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1-OH7fQ2cMi8QcKTQ9Th4BiPgrq7pDbYY\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Fantastica Verona<\/h3>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Ernesto Kieffer<\/em>. Milo Manara: \u00abDisegno da cinquantasei anni. La mia vita? Un viaggio tra desiderio, libert\u00e0 e meraviglia\u00bb<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1UYYkVvUa4zK7CUdOMCS8xlv-tcAFfmPU\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Ernesto Kieffer<\/em>. Valentina Zanella: \u00abIl cinema \u00e8 un raggio di luce che ti fa entrare in mondi incredibili\u00bb<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1RUll8z7MdcZwR-wEHntoyQQJ6oAoOWCB\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Ernesto Kieffer<\/em>. \u00abGiocare con l\u2019arte per dire la verit\u00e0\u00bb, dialogo con Alberto Rizzi<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1C66r7dOVIz9WehiI6fvveplJmJ-p78J7\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Ernesto Kieffer<\/em>. \u00abLa magia che resta\u00bb. Luca Caserta, regista veronese, tra Stephen King, Springsteen e l\u2019ombra lunga del mistero<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1TjI09JWMZy3V5fpwTeq5qPjn4AdAHLSg\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Apulia Horror International Film Festival<\/h3>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Marianna Lucia di Lucia<\/em>. Il brivido della resistenza. Intervista a Francesco Corchia e Andrea Cavalera, direttori di \u201cApulia Horror International Film Festival\u201d<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1JuvOzK2ZOEJKG0js4-W-QFU1YNhbkzl0\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Note di Calibano<\/h3>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Gian Piero Brunetta<\/em>. Come lo schermo ha guardato verso l\u2019infinito e oltre<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1qiIvAdQr7e2iZEzZ6w5ERBPWoR7J7id5\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Leonardo Magnante<\/em>. Per un\u2019ontologia del dolore: <em>La valle dei sorrisi<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1WwwEohU8tGIajOUu2O-wqbiadqceh83_\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Emanuele Antolini<\/em>. <em>Together <\/em>e la nuova carne artificiale<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1-4jfcv9CSR7ysIlYm0eh7t0tu2ObFrnp\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Sara Casoli<\/em>. <em>Monster. La storia di Ed Gein<\/em>, o sulla simpatia per il diavolo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/11JNNm3OxIeCgn6PcxqCyUW8EPoOqGPKO\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Francesca Gennaro. Frankenstein<\/em>, le sfumature della mostruosit\u00e0 secondo Guillermo del Toro<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1wlm7N59QCSFF8B5-V675BvbymlGWfWN4\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Leonardo Magnante<\/em>: Tra visceralit\u00e0 e comicit\u00e0 slapstick: <em>Terrifier 3<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/15WJEhb7V8FtQKsLN8S1feJDNekWYK1J_\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Silvia Vacirca.<\/em> Tessuti fantastici: la vita del tessile attraverso lo schermo cinematografico<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1BQxDh6FOjS-bBUkkr1KlcJJTPavbKwOL\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Biografie e indice dei revisori<\/h2>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Biografie<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1qvVXLfMSKRVUgZ6VjsYQXGLsJi_0Y9N4\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Indice dei revisori<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1Y8cCdmF25ZL8oIfSD2HVpiX1Jh9vQUxk\/view?usp=sharing\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ISSN 2975-2604 Fascicolo completo Introduzione Denis Lotti. Ready Player Four: il fantastico entra in gioco Start a new game Marco<\/p>\n<p><a href=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/the-journal-def\/4-2025\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">Ultracorpi 4 \/ 2025<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":538,"parent":1058,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1132"}],"collection":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/comments?post=1132"}],"version-history":[{"count":6,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1132\/revisions"}],"predecessor-version":[{"id":1138,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1132\/revisions\/1138"}],"up":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/media\/538"}],"wp:attachment":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/media?parent=1132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}