{"id":1402,"date":"2026-07-24T22:48:15","date_gmt":"2026-07-24T20:48:15","guid":{"rendered":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/?page_id=1402"},"modified":"2026-07-24T22:49:50","modified_gmt":"2026-07-24T20:49:50","slug":"5-2026","status":"publish","type":"page","link":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/the-journal-def\/5-2026\/","title":{"rendered":"Ultracorpi 5 \/ 2026"},"content":{"rendered":"\n<p class=\"has-text-align-right\"><strong>ISSN 2975-2604<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"243\" src=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1024x243.png\" alt=\"\" class=\"wp-image-593\" srcset=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1024x243.png 1024w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-300x71.png 300w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-150x36.png 150w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-768x182.png 768w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8-1536x364.png 1536w, https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-content\/uploads\/2023\/12\/Senza-titolo-3-8.png 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Fascicolo completo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1yeHL6A1b9FevJWjt_Op0a90tYwpGEKad\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Echi del sogno<\/h2>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Rossella Catanese, Giovanni Fiorentino<\/em>. Oltre il Surrealismo. Inconscio, automatismo e regimi dell\u2019immagine<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1lHFK0r6hcGvHo7ZQcFyjBAzLr5sQP6K6\/view?usp=sharing\" style=\"border-radius:0px\" target=\"_blank\" rel=\"noreferrer noopener\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Angela Maria Fornaro<\/em>. Scultura in movimento. L\u2019arte visionaria di Toni Fabris<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/12VwnWCu1ENTDF1KHTXlG9TRLgr2AUwD0\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Roberto Chiesi<\/em>. La discontinuit\u00e0 del sogno. Bertrand Blier e il surrealismo<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/11AfPGtgrFggkO2-kSMUtG1mw6ckQXk1v\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Ilaria Perris<\/em>. L\u2019incubo della contaminazione. Surrealismo, Arte nucleare e psicoanalisi nel cinema di David Lynch<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/15CYTmQvws-Fqb1CfQC9JkxUeIdJ81_am\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Davide Persico<\/em>. Il corpo che sogna. Cinema, soggettivit\u00e0 e metamorfosi da <em>Le sang d\u2019un po\u00e8te<\/em> a <em>Holy Motors<\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1o2vTzM8h4sKiREPsdKNC6pxKR-kvt4et\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Laura Cesaro<\/em>. Corpi perturbanti e distorsione onirica. Cronenberg surrealista<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1fS-ae7Ppe8AiGKy256Q_UBOKxf8nmIBa\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Lucia Di Girolamo<\/em>. Il fascino indiscreto dell\u2019artificio: l\u2019eredit\u00e0 del Surrealismo in Pedro Almod\u00f3var<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1kNSrbY7E2Z1rGMbE8Th-8BJMKsuN2VFT\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Marie Rebecchi<\/em>. De Dal\u00ed \u00e0 DALL-E. Montage, Surr\u00e9alisme et hallucination de l\u2019IA<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1VIa4gyNrEbuBniV4882yHkpgaSTl7MfR\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Miscellanea<\/h2>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\"><em>Alberto Scandola<\/em>. Tra terrore e orrore: il corpo liminale di Mia Goth<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/19E0dEi8fIVFWDcnG-rnkfjAGer-wbH20\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-text-color\">Biografie<\/h2>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-white-color has-text-color\" style=\"font-size:25px\">Biografie<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-font-size is-style-fill has-small-font-size\"><a class=\"wp-block-button__link has-black-color has-yellow-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1AsMtn_U__elx9ZTVOBqryxpgIWggYcxv\/view?usp=drive_link\" style=\"border-radius:0px\">pdf<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ISSN 2975-2604 Fascicolo completo Echi del sogno Rossella Catanese, Giovanni Fiorentino. Oltre il Surrealismo. Inconscio, automatismo e regimi dell\u2019immagine Angela<\/p>\n<p><a href=\"https:\/\/sites.dcuci.univr.it\/ultracorpi\/the-journal-def\/5-2026\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">Ultracorpi 5 \/ 2026<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":538,"parent":1058,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1402"}],"collection":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/comments?post=1402"}],"version-history":[{"count":2,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1402\/revisions"}],"predecessor-version":[{"id":1404,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1402\/revisions\/1404"}],"up":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/pages\/1058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/media\/538"}],"wp:attachment":[{"href":"https:\/\/sites.dcuci.univr.it\/ultracorpi\/wp-json\/wp\/v2\/media?parent=1402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}